Experimental printmaker John Ihle uses the embossment nature of collagraphy to form dimensional, stark delineations among the chaos of complex pattern in “Series II.” Resembling ancient indigenous carved texts, Ihle’s composition is muted and earthy, parts of it barely more than a shade darker than the paper itself. Large, simple geometric shapes contain within them a curious pattern of tumbling, strange, alphabet-like forms, some trying to escape their confines into neighboring shapes. Ihle’s composition is carefully planned and delicately wrought while also maintaining a sense of solid, stoney weight.
This mid-career work is exemplary of Ihle’s constant evolution and desire to try new and engaging styles. From his Abstract Expressionist beginnings to the surreal compositions of his late career, the arc of his work is the arc of 20th century American printmaking, as presented by one of the medium’s most talented explorers.