Doris Meyer Chatham explores the possibilties of non-objective color and form in the era of Abstract Expressionism, layering soft textures, bold hues, and sculptural shapes to create a sense of movement and atmosphere. The unusual title gives no indication of the artist's intent, but lends intrigue (and perhaps some humor) nonetheless.
It's not clear where or when Chatham first learned lithography, though it is known that in 1955 - two years after she created this piece - she studied the technique in Seattle under Glenn Alps at the University of Washington. However, it's clear that she already had a grasp on the awkward technique, creating a piece that exemplifies finesse and strength of design.