Springer also used Clair obscur for the title of a painting and the term translates to clear and obscure. He was a master of the burin and, with this intaglio, he used the burin to create dark flowing, sensuous lines which are offset by a soft orb of light in the lower right of the image. The lines can remind one of birds in flight or a storm diving out of the heavens in an attempt to touch the upon the earth. Graceful lines and the limited palette combine to create an image of sophistication and elegance.