Max Pollak, like many other artists in San Francisco, found inspiration in the exotic architectural detail and color of Chinatown. "San Francisco Chinese Theatre" was done using etching for the linear elements and aquatint for the tonal areas. The aquatint plate was printed "a la poupée", a French term for a method of inking a plate with several different colors using small dabbers, a 'dolly' of twisted cloth or felt.
The subject of the composition is the 'Mandarin Theatre', built in 1925 at 1021 Grant Avenue in San Francisco's Chinatown (renamed the 'Sun Sing Theatre' in 1949). It closed as a movie house in 1986, and has since been converted into retail use, called the 'Sun Sing Center.'
Its exterior and interior were used for a sequence in the 1948 Orson Welles film, “The Lady From Shanghai”.