This intaglio, printed in sepia ink is by Norwegian printmaker Arent Lauritz Christensen (1894-1982) and was from the collection of Danish critic and author Georg Bröchner (1874-1933) who wrote for the British art magazine "The Studio" in the early 20th century.
The British Museum has what seems to be a similar intaglio, "No.39" which they describe as a "Landscape with hill in mid-distance on which are scattered trees, olive tree in foreground. c.1920s". The impression is not illustrated.
This impression is titled "Landscab" (Landscape) and then annotated in Danish, [Kaldnaal]<,i> which translates to "Drypoint", the intaglio method used to create the composition.