Max Pollak, in order to get the delicate drypoint lines to print well, collaged a thin sheet of white oriental paper the size of the plate to a heavier sheet of ivory wove paper. This allowed the optimal printing quality but also added the ability for the viewer to handle the work. The light 'color' of the snow is created by this thin white paper whereas the margins are the heavier 'support sheet.'
The landscape composition is one of a series of prints Pollak did of winter in the Czech Alps in the early 20th century. This impression has a red "FPC" stamp in the lower margin, indicating it was from the personal collection of the artist's late widow, Freidl Pollak.