Sentinels a.k.a. Sentinels in the Night

John Taylor Arms

These two “sentinels” overlooking the city of Paris are chimères added to the façade of the Gothic Notre Dame Cathedral in the 19th century. They were created under the supervision of the architect Eugène Emmanuel Viollet-le-Duc during a major renovation. These statues don’t function as water spouts so they are not categorized as gargoyles. They are perched on the balustrade of the cathedral’s Galerie des Chimères, a balcony that connects the two bell towers. The chimères are grotesque, frightening, and fanciful statues that were thought to ward off evil spirits. Arms depicted the chimèa of a bearded man with a cap whose neighbor, a cat-like creature, appears ready to pounce from the railing. Fifty-six chimères were added to the façade of the cathedral in the 19th century. John Taylor Arms was a trained architect who felt very deeply that man’s greatest achievements in architecture are evidenced in the cathedrals and churches from the Gothic era.

John Taylor Arms, printmaker, lecturer, illustrator, and administrator, was born in Washington, D.C. on 19 April 1887. He first studied law at Princeton University but transferred to the Massachusetts Institute of Technology to study architecture, earning a Master's Degree in 1912. He studied with Ross Turner, David A. Gregg, and Felton Brown. For five years after his graduation Arms worked for the architectural firm Carrere and Hastings, before establishing his own architectural firm of which he was a partner.

The gift of an etching kit from his wife, Dorothy, changed the course of his life. He produced his first etching in 1915 and he eventually produced 441 prints, mostly etchings. Arms became one of the most famous printmakers of the first half of the twentieth century. He is mostly noted for his etchings of medieval architecture but early subjects also included ships, sailboats, airplanes, rural landscapes, and the streets, buildings, and bridges of New York.

Arms' exhibition history was lengthy beginning in 1927 and continuing to 1952. He authored 'Hand-Book of Print Making and Print Makers' in 1934 and illustrated 'Churches of France' and 'Hill Towns and Cities of Northern Italy' by his wife, Dorothy Noyes Arms. His work can be found in most major collections of American prints.

John Taylor Arms was an activist for printmaking and assisted in assembling exhibitions of American graphic art that were shown in Sweden, Czechoslovakia and Rome; he was editor of the Print Department of Print, A Quarterly Journal of the Graphic Arts, and he lectured on the techniques, history and value of original prints. Arms also served as the president of the Tiffany Foundation in 1940. John Taylor Arms died in New York City on 15 October 1953.