After the oil painting by Claude Monet, "Morning on the Seine, Near Giverny," from the series of images of this portion of the French river executed between 1896 and 1897. From the Museum of Fine Arts Boston:
"In the summers of 1896 and 1897 Monet set up his easel at three-thirty each morning in a boat moored just off the riverbank near his house at Giverny. There he sat and painted the series of twenty-one canvases to which this one belongs. Grisaille effects of morning mist, trees half-visible in the dawn light, and glimmering reflections on the water make this series arguably the most subtle he ever painted."
Schwaberow focuses on just a portion of the painting, concentrating on the silhouette of the trees where they reflect on the mirror-flat surface of the water. The palette pays particular homage to Monet, when the French painter found great inspiration in the pastels of early mornings and dusks in rural France.