Kollwitz did a drawing of this pregnant woman, who looks the viewer directly in the eye, while she was working with her husband Karl at his clinic in a working-class section of Berlin. It was here she began to gain insight into the conditions of the working and urban poor.
Her second son Peter was killed in WWI in 1914 and the bond between mother and child and death and hope was a theme that became central to her work throughout her life.
The Knesebeck catalogue raisonné notes about this state: "50 numbered proofs, signed 'Kathe Kollwitz' in lower right; in brown, on copperplate paper, with Felsing's signature. Richter edition, 1918."
Most of Kollwitz's etchings, from as early as 1891 until the 1960s, were printed at the Otto Felsing Printery, many of them by Schulz.