Adieu!

Otis Oldfield

This was the first in the series of five prints offered by the San Francisco Chronicle in their Contemporary Graphics on Sunday series (number 4), March 31, 1940. Arthur C. Painter commented on this lithograph: 'For years Otis Oldfield has lived atop Telegraph Hill and watched the ships sailing through the Golden Gate. His love for boats grew so great that in 1931 he sailed for the Aleutian Islands on a three-masted schooner. His lithograph "Adieu" is reminiscent of the morning, when, shrouded with fog, the tug picked up their tow-line and the schooner headed out to sea.'

In 1940 the San Francisco Chronicle devised a “plan to bring western art to the western public” by presenting Contemporary Graphics to its readers. On Sunday, March 10, 1940, the series was launched with a three-quarter page devoted to the concept of purchasing original art by western artists. Contemporary Graphics presented twenty original prints in four series over four consecutive Sundays.

Works by Herman Volz, George Gaethke, Ray Bertrand, Rueben Kadish, and Arthur Murphy comprised the first series. Sunday, March 17th, the Chronicle presented the second series that included works by Glen Wessels, Sargent Johnson, A. Ray Burrell, Beckford Young, and Theodore Polos. The third series, featured on March 24th, included works by Dong Kingman, Shirley Staschen, Clay Spohn, Edgar Dorsey Taylor and George Harris. The fourth and final series was presented to the public on March 31, 1940, with works by Otis Oldfield, Benjamin Cunningham, Mallette Dean, John Haley, and Erle Loran.

With the exception of Mallette Dean's linoleum block print, all the prints were original lithographs. Each print was pencil signed and titled and the edition size was 150. The price for the individual works was $2.00 and they could be purchased in San Francisco from the following locales: the Chronicle, the City of Paris, O’Connor, Moffatt, Paul Elder, Schwabacher-Frey and Gumps.