Nabby's Point (Ipswich) by Arthur Wesley Dow

Nabbys Point (Ipswich) by Arthur Wesley Dow

Nabby's Point (Ipswich)

Arthur Wesley Dow

Please call us at 707-546-7352 or email artannex@aol.com to purchase this item.
Title

Nabby's Point (Ipswich)

 
Artist
Year
c. 1895  
Technique
color woodcut 
Image Size
2 7/16 x 4" image 
Signature
unsigned; estate stamp on verso 
Edition Size
unique impression from an unstated edition of variant impressions 
Annotations
 
Reference
Color Woodcut International, catalogue no.22; Hirschel / Adler 54, 55, 56 and 57. 
Paper
antique-white Japanese wove 
State
published 
Publisher
artist 
Inventory ID
CAAL240 
Price
$3,500.00 
Description

This woodcut was purchased by California collector Roger Epperson from Steven Thomas Fine Arts. It is stamped on the verso as being from the Arthur Dow Estate.

Nabby's Point is on the Ipswich River in Ipswich, MA and was named after Nabby Holland. As with most of his block prints Dow did numerous color variants, this one is in subtle greens, grays and pinks.

Arthur Wesley Dow was born in Ipswich, Massachusetts in 1857. His early training in Worcester, Massachusetts with the portrait and historical painter Anna K. Freeland was followed by his apprenticeship in Boston with the painter, James M. Stone. Encouraged to continue his studies in Europe, Dow set sail in 1884 for Paris where he became a pupil of Gustave Boulanger and Jules Lefèbre. In Paris his artistic ideals were revolutionized, after witnessing the new wave of styles and techniques- much of which he wasn't partial to, but never the less was inspired by.

Upon his return to Boston in 1889, Dow hoped to pursue his artistic bent while eschewing the rigidity of the academies. His discovery of a book on the Japanese ukiyo-e printmaker Katsushika Hokusai at the Boston Public Library exposed him to design elements that had not been addressed in his formal art studies abroad. This discovery led Dow to the Boston Museum of Art where he met the foremost Japanese scholar, Ernest Fenollosa. Together they studied the formal design elements of Japanese prints and distilled them into four classifications: line, form, color, and “notan”, or the use of dark and light. Dow elaborated on these new theories in his book, Notan.

 

Please call us at 707-546-7352 or email artannex@aol.com to purchase this item.