Tetra by Dennis Ray Beall

Tetra by Dennis Ray Beall

Tetra

Dennis Ray Beall

Title

Tetra

 
Artist
Year
1957  
Technique
color lithograph 
Image Size
12 5/8 x 17 3/4" image 
Signature
pencil, lower right 
Edition Size
4 of 5  
Annotations
pencil titled, dated, and editioned in lower margin, beneath image. 
Reference
This impression is illustrated in "California Society of Printmakers - One Hundred Years 1913-2013," page 20. 
Paper
Warren's Oldestyle wove 
State
published 
Publisher
 
Inventory ID
DENB122 
Price
SOLD
Description

Tetra is one from a group of Abstract Expressionist color lithographs Beall created between 1955 and 1958 while he was a graduate student at San Francisco State College. He had learned the basics of lithography from Duayne Hatchell while a student at Oklahoma City University in 1950. Braced with the knowledge gleaned from lithography manuals by Bolton Brown and Lynton Kistler and the support of his teacher at SFSC, John Ihle, Beall developed his techniques for working the stone which resulted in seemingly spontaneous, gestural drawing.

Because of the lack of galleries willing to exhibit their works and virtually no collectors, the editions of these works were small, meant more to trade with colleagues, so they are quite rare. Beall and John Ihle helped establish lithography at San Francisco State College and used the medium as a painter uses a canvas, covering the whole stone with the image. When you look at the lithographs that were created at SFSC in the mid 1950s you began to recognize the stones that were used by the irregular edges, chips that had occurred to the limestone matrix over the years.

Beall described the process he used in 1963 in an exhibition catalogue for a show of works by George Miyasaki at the Achenbach Foundation: "By using a strong solution of acetic acid between drawings, the stone may be re-sensitized without regrinding. Areas of the preceding drawing may be retained, other areas scrubbed or scraped, new design elements introduced, old ones reinforced and, in general, the reconciliation of design and color development more cohesively obtained and controlled...The enormous freedom implied by this system lies in its directness. The communication between the artist and his materials, the successive acts of printing, drawing, scrubbing, and correcting create a continuum which cannot be duplicated in the traditional workshop."

Dennis Ray Beall was born on 13 March 1929 in Chickasha, Oklahoma. The family remained in Chickasha and Dennis graduated from Chickasha High School in 1947. Upon graduation, Beall joined the U.S. Navy which sent him to train at Electronics Materiel School on Treasure Island off San Francisco. After his training he spent eighteen months in Japan.

After his discharge in 1950, Beall enrolled in the Oklahoma City University and, in 1952, he traveled throughout Europe. He hired onto the crew of an oil tanker in Naples which sailed to ports in the Persian Gulf, France and Italy. With the money he had earned, Beall was able to relocate to California in 1953, where he enrolled at San Francisco State College [now San Francisco State University]. Punctuating his studies with trips to Europe, the Middle East, and North Africa, he received his B.A. and M.A. degrees in 1958.

Beall was registrar at the Oakland Museum of California briefly in 1958 before becoming a curator at the Achenbach Foundation for Graphic Arts in San Francisco, working with curator Gunter Troche. He held that position until 1965 when he began his teaching career at San Francisco State University where he taught printmaking. Beall was assistant professor of art between 1965 and 1969, associate professor between 1969 and 1976, and professor of art from 1976 until 1992. He was named Professor Emeritus in 1992. Beall is a member of the California Society of Printmakers and served as president in 1970.